The scale of this makam is identical to that of Ussak, but the difference lies in the seyir: Bayati has an ascending-descending seyir, whereas Ussak has an ascending seyir.

If the scale is extended above the octave a Kurdi tetrachord is used above the Buselik pentachord:

A Nikriz pentachord on C (overlapping with a Hicaz tetrachord on D) can also be used in Bayati makam, and this is shown below with the corresponding fingering diagram: