This makam makes use of the following structures:

(1) A Tahir scale with the leading tone changed to G sharp (Nim Zirgule)

(2) A descending Buselik pentachord on A (Dugah)

The B natural (Buselik) in the Buselik pentachord is shown by a red oval on the fingering diagram below to distinguish it from the B flat (Dik Hicaz) in the Tahir scale: